Wednesday, 9 September 2015

Film timeline - Vampires

Nosferatu (1922)

Director: F.W. Murnau
Writer: Henrik Galeen
Plot
Within the film Count Orlok summons Thomas Hutter to his remote castle in the mountains. The mysterious Orlok seeks to by the house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape knowing the Ellen is in grave danger.

About
This is a silent film that was an unauthorized adaption of Bram Stoker’s Dracula, with names and other details changed because the studio could not obtain the writes to the novel. This is the first recorded vampire film. This film does not follow the common characteristic of vampires as previous vampire films as the vampire itself is portrayed in a hideous form with long finger nails and an out of proportioned body.

Effects
Prohibition begins in the US with hope of bettering society. The film Nosferatu could be a contrast between freedoms of the consumption of drink in comparison to being prohibited from doing so. The prohibition would also cause people to be discreet in how and when they drink, this could be a strong link between the character of Count Orlok and the audience.



Dracula (1931)

Director: Tod Browning
Writer: Bram Stoker, Hamilton Deane

Plot
After hypnotizing a British soldier, Renfield, in to a slave the Count travels to London and takes up residence in an old castle. Soon Dracula begins to wreak havoc, sucking the blood from young women and turning them in to vampires. When he sees his sights on Mina, the daughter of a doctor, vampire hunter Van Helsing is enlisted to put a stop to the Counts never ending blood lust.

About
This films historic dramatics from the stage play are reflected in its special effects which are made up of fog, lighting and large flexible bats. The acting was very over dramatic and employs several intertitles and close ups of newspaper articles to advance the story along, this was a common thing that occurred within silent films. As the director Tod Browning was very experienced with silent films, creating a film, such as Dracula which includes sound and dialogue, was something in which he had little experience.

Effects
Through horror films such as Dracula people were able to have a sense of escape from their Great Depression reality, despite the money spent on the special effects used for the films they often provided a good return rate. The horror films within the 1930’s was a band of exotic fairy tales set in faraway lands in period costumes and strange accents. This created a sense of escape for the audience.
                Horror films became more popular during the 1930’s as a use of escape from the everyday realities of depression and the approaching war. 80 million people attended the cinema on a weekly basis in the 1930s, some 65% of the US population.


Kiss of a vampire (1963)

Director: Don Sharp
Writer: John Elder

Plot
A couple on their honeymoon in the early 20th century become caught up in a vampire cult led by Dr. Ravna and his two children. The cult abducts the Marianne (wife) and contrive to make it appear that Harcourt (husband) was travelling alone and that his wife never existed. Harcourt gets help from Professor Zimmer, who lost his daughter to the cult and who finally destroys the vampires through an arcane ritual the releases a swarm of bats from hell.

About
This film was another attempt at creating a Dracula sequel without Christopher Lee. The final script makes no connection to Dracula and attempts to suggest other ideas about the ‘vampire community’. Whereas in previous vampire films our fanged friends were regularly seen isolated and alone this new outlook suggests that there are many of them. Some in which work together/ as a family.

Effects
Could have been influenced by Adolf Eichmann’s death, he was a lieutenant colonel and one of the major organizers of the Holocaust. He was in charge with facilitating and managing the logistics of mass deportation of Jews to extermination camps in the German occupied Eastern Europe during World War 2. His death symbolizes the end of Nazi mind control over the nation.
                Though the film was originally created as an attempt on a sequel of Dracula it makes no reference as to the characters of Dracula. Instead it expands further in the directions taken in Brides portraying vampirism as a social disease afflicting those who chose a decadent lifestyle. This could refer back to the lifestyle in which Adolf Eichmann led and could be used as evidence in connecting both the historical event and the film.


The fearless vampire killers (1967)

Director: Roman Polanski
Writer: Roman Polanski,
              Gerard Branch

Plot
Vampire hunter Professor Abronsius and his faithful assistant, Alfred, are traveling across Transylvania when they stop to rest at a suspicious-looking inn. That night, they witness the innkeeper's daughter, Sarah, being whisked away by Count von Krolock, an obvious vampire, and pursue him to his nearby castle. They break in, only to be invited to stay by the unfazed count, and plot to rescue Sarah and destroy their murderous host.

About
The film’s opening sequence is animated which has not been previously used within vampire films. The short sequence is shown before the production companies and shows the main protagonists ‘hunting’ and ‘killing’ a vampire. This film shows the vampire story in a different point of view as it portrays the stories of two vampire killers instead of the monsters themselves.
                Not only this, the film also includes a homosexual vampire (Herbert), this was not regularly seen within the film industry as an unmentionable subject.  It’s only until recent years in which homosexuality is more accepted and acknowledged.

Effects
The satanic church began in 1966, this could have made a huge influence in the production of this film as satanic beings such as Vampires could have been considered a more believable idea due to the newly formed religion. Though the church does not believe in or worship the Devil or a Christian notion of Satan. The High priest Peter Gilmore describes its members as "skeptical atheists”.
                Another historical aspect that most likely had an influence on this film is the sexual offences act of 1967 which allowed gay men to carry out sexual acts within the confinements of their own home. This introduced the idea of homosexual characters within films as it became more ‘acceptable’.


The vampire lovers (1973)

Director: Roy Ward Baker
Writer: Harry Fine,
              Tudor Gates,
              Michael Style

Plot
This sexy horror story from Britain's Hammer Films finds Ingrid Pitt playing three roles, the most notable being a lesbian vampire who will resort to biting a man only when it is absolutely necessary. A doctor and a manservant are victims, but only after she has exhausted all attempts to sink her fangs into the bosoms of young women. The General finds his daughter Laura is victimized by the bite of the vampiress. With the help of Baron Hartog, they try to end the horror brought by the blood-sucking beauty. 

About
This film uses a female lead character which was not regularly seen through the film industry, not only this there was a lot of issues due to the lesbianism within the film with many warnings that the script of The Vampire Lovers was sent to the chief censor John Trevelyan, who warned the studio about depictions of lesbianism, pointing out that a previous lesbian film, The Killing of Sister George, had had five minutes excised by his office.

Effects 

After The Fearless Vampire Killers which included a homosexual character the film The Vampire lovers includes a lesbian character which could have possibly been influenced by the lesbians invaded the platform of the Women’s Liberation Conference in Skegness, demanding recognition in 1971.

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